Equipment Library
A reference library of the cameras, lenses, and lighting tools modeled in the simulators — expandable as new gear is added.
35mm Full-Frame · EF-Style
Optical viewfinder, deep buffer, the reliable workhorse body.
35mm Full-Frame · EF-Style
Same sensor class, lighter body, fewer weather seals.
APS-C · EF-S-Style
Budget-friendly entry point, extra reach from the crop.
APS-C · E-Style
Compact body, electronic viewfinder, fast burst shooting.
35mm Full-Frame · RF-Style
Fast eye-AF and high frame rates, built for action and events.
35mm Full-Frame · RF-Style
High megapixel count, ideal for landscape and studio detail work.
35mm Full-Frame · Z-Style
Balanced stills/video body with strong in-body stabilization.
Four Thirds · MFT-Style
Small, light system with a deep native lens catalog.
Super 35 · PL-Style
Log profiles, high dynamic range, built for motion work.
35mm Full-Frame · PL-Style
Shallow depth of field at scale, large-format cinematic look.
44x33mm · MF-Style
Enormous detail and tonal range, the choice for high-end product and fashion.
1-inch · Fixed Lens
Pocketable, fixed zoom, a serious walk-around camera.
APS-C · Fixed Lens
Large sensor in a fixed-lens body — street photographer favorite.
Multi-camera array · Fixed / Computational
Portrait mode, Night mode, RAW + Pro mode support.
Single main sensor · Fixed / Computational
Solid daylight performance, limited low-light and zoom range.
14mm · f/2.8 · Wide
Architecture and astro — exaggerated depth, dramatic perspective.
24mm · f/1.4 · Wide
Environmental portraits and landscapes with real context.
35mm · f/1.4 · Prime
Storytelling street and documentary standard.
50mm · f/1.8 · Prime
The 'normal' lens — matches human perspective, versatile default.
85mm · f/1.4 · Telephoto
Classic portrait length, flattering compression, creamy blur.
135mm · f/2 · Telephoto
Extreme background compression for isolated portraits.
24–70mm · f/2.8 · Zoom
Workhorse zoom for events, product, and general coverage.
70–200mm · f/2.8 · Telephoto
Compression for portraits, reach for sports and wildlife.
100–400mm · f/5.6 · Telephoto
Long reach for wildlife and distant subjects.
16–35mm · f/2.8 · Wide
Wide zoom for landscape, real estate, and interiors.
100mm · f/2.8 · Macro
1:1 magnification for product detail and texture work.
60mm · f/2.8 · Macro
Closer working distance macro, doubles as a short portrait lens.
8mm · f/3.5 · Fisheye
180° circular or full-frame distortion for creative wide shots.
35mm · f/1.8 · Prime
Declicked aperture and geared focus for smooth cinema pulls.
25mm · f/1.7 · Prime
Compact normal prime for Micro Four Thirds bodies.
77mm · f/2.8 · Telephoto
Computational zoom module on flagship smartphones.
Flash
High-output burst of light, freezes motion, consistent color temperature.
Flash
Higher max output for large modifiers or overpowering daylight.
Flash
Small, portable flash — hard light unless heavily modified.
Continuous
Continuous light — what you see is what you get, ideal for beginners and video.
Continuous
Focused point source, hard-edged shadows, punchy contrast.
Continuous
Even, shadowless frontal light — signature catchlight ring in the eyes.
Continuous
Long, narrow source — great for edge light and rim light strips.
Continuous
Warm continuous source, often used as an in-scene practical light.
Ambient
Free, huge, naturally soft — direction shifts with time of day.
Ambient
Small in the sky relative to the earth — genuinely hard light at noon.
None
Full hardness of the source, wide spread.
Diffusion
Diffuses into a moderate soft panel — gentle, controllable.
Diffusion
Big soft panel, wraps light gently around the subject.
Diffusion
Round catchlight, flattering wrap similar to a large softbox.
Shaping
Semi-hard light with contour and shadow definition — classic portrait look.
Diffusion
Broad, soft spread — fast, affordable diffusion.
Bounce
Punchier and more directional than shoot-through, still fairly soft.
Shaping
Narrows a source's beam angle for controlled, directional light.
Shaping
Tight spotlight effect — isolates a small area in light.
Bounce
Gentle fill by bouncing existing light into shadows.
Bounce
Brighter, more contrasty fill than white.
Diffusion
Large frame of diffusion cloth — often used to soften direct sun.
| Situation | ISO | Aperture | Shutter |
|---|---|---|---|
| Portrait | 100–400 | f/1.8–f/4 | 1/125 or faster |
| Sports | 400+ as needed | f/2.8–f/5.6 | 1/1000 or faster |
| Landscape | 100 | f/8–f/11 | Set by light meter |
Starting points, not rules — actual settings depend on light.
Try it in the studio
Every camera, lens, source, and modifier here is selectable live in the 3D Studio, where you can also add or remove lights from the rig freely.
Open the 3D Studio →